“Baby Buggy Bunny” (1954) is a classic, with Chuck Jones is hitting on all cylinders in it. The violent baby shaking scene would be disturbing if you didn’t know the guy was in his 30s and a criminal, but the best parts for me are actually the opening and closing bits. Again, Chuck just had a wonderful sense of character design, from the people working the bank, to the police at the station. Something about the big meaty hands on the cops always reminded me of the way Mort Drucker drew hands in MAD magazine. 
